A link to a lovely article about Rok’s film. Thanks Awesome Robo!
Here it is folks! Rok Predin’s new film “One of a Kind”. This is the culmination of many many months of hard work and it’s definitely been worth all the effort. We hope you like it, we love it….and just try getting that tune out of your head.
Alasdair+Jock have been having a great, creative and very busy year so far. Here’s a lovely film they’ve recently made for the clothing brand New Look to explain the brand’s core values to it’s buyers.
Trunk Animation creates Coldplay ‘Ghost Stories’ album stream.
Last week saw Coldplay release a full 43 minute stream of their 6th studio album on iTunes, a week before it was released. The fans went wild.
Richard Barnett at Trunk Animation was approached by commissioner Sam Seager at Parlophone with an image, and a question. The image turned out to be Coldplay’s beautiful new album cover designed by Mila Fürstová, and the question, can we bring the mesmerizing, highly detailed etching to life, without losing its look and character?!
A plan was hatched, some tests carried out and rather than just creating a 10 second looping GIF, Trunk Directors Alasdair + Jock came up with the idea of an epic 43 minute long animated film that unfolds as the album is played.
To begin with Mila’s Ghost Stories artwork had to be meticulously traced by hand, basically pixel by pixel, in order that Alasdair + Jock and their team at Trunk could work at the scale necessary, 7K, which is nearly 4 times HD! The new high-resolution image they created enabled tiny elements within Mila’s etching to be worked on in a lot more detail, allowing for tiny sections to be animated, and dynamic camera moves added. Jock noted, ‘the painstaking attention to detail in the re-drawing was essential in order to retain the aesthetic of Mila’s artwork, and allow new elements to be added and animated”.
During this process sections of the image had to be re-imagined in order that when you moved one object or character, you weren’t then left with a hole in the background, so Jock had to learn Mila’s style of mark making.
The film used a multitude of animated techniques, and a team of 10 animators and art workers using 3D, 2D cuts outs, and classical 2D hand drawn came together to create the astounding 50 individual sections. Each section had to be animated in such a way that they could be looped, ranging from 30 secs to an impressive 2 minutes, which of course just made everything that little bit harder! Once animated, each section then had to go through a heavy compositing and effects stage in order to pull all the different techniques together, and make sure the line style in the animation was exactly the same as that of the album artwork.
To help build an overall visual narrative for the album, the team slowly revealed more and more detail as the tracks progress allowing the viewer to travel in and out of what is in essence a world within a world. The team also utilised time-lapse photography and SFX to create the world ‘outside’ the wings. Time lapse clouds, sea, and mist are mixed with affected art worked shooting stars and a waxing and waning moon which casts the wings into darkness as track 5 ‘Midnight’ progresses in the middle of the album.
The amount of detail, the length, and the technical processes involved were so vast that Trunk had to bring in an extra bank of powerful computers, known as a render farm, to crunch the raw data. 53,000 unique frames had to be processed in such a way that the process wouldn’t grind to a halt, which meant that some 300,000 smaller pre-renders had to be made over 4 long and grueling days. (A special thanks to our fuse box for providing us with two lovely blow outs, wiping out 7 hours of work!)
Al notes ‘It was a massive undertaking but we wanted to create something unique for the album, and we loved the idea of bringing this image to life with some really beautiful movement, in a way that matched the intricate and complex look of Mila’s artwork.’ Richard added ‘The finished project has to be up there in our top 5 along with the projections for Madness at the Queens Diamond Jubilee, Rok’s lyric vid for The Rolling Stones, our visuals for Keith Urban at the Country Music Awards, and of course Elton John’s Million Dollar Piano visuals!’
The final film was streamed on iTunes, May 12th at 9pm. And Coldplay’s 12 million fans took to Twitter immediately with a buzz of lovely comments and messages, they of course loved the album, and gushed at the animation, and as @Coldplay tweeted ‘Kudos and a thousand thank yous @trunkanimation for creating such a beautiful animation’, we instantly made hundreds of new friends!
Direction- Alasdair + Jock
Production Company Trunk Animation
Album artwork- Mila Fürstová
2D animation- Marie-Margaux Tsakiri-Scanatovits, Zoe Matzko, Jeroen Jaspaert, Aaron Lampert, Valentina Delmiglio
3D animation- Layla Atkinson
Artworking- John Harmer, Valentina Delmiglio, Jock Mooney
Time lapse- Mo Hague
Compositing- Chris Sayer, Alasdair Brotherston
Line Producer- Pedro Lino
Producer- Richard Barnett
Commissioner- Sam Seager/Parlophone
Data Upload- Chillibean
Director- Pedro Lino
Producer- Richard Barnett
Audio Mix- JM Finch @Fonic
Here’s a nice little “Making of Storychangers” video. It’s still hard to believe what we got up to last week!
12th May 9pm GMT
Coldplay ‘Ghost Stories’ itunes album stream!
http://t.co/ybyzyYiyKc NOW! (Just click the Featured Video.)
If you’re reading this, then stop and get yourself to itunes NOW! Where they are streaming the whole of Coldplay’s new album with visuals by Alasdair + Jock! Over the past couple of months, we’ve been painstakingly bringing Mila Fürstová’s beautiful album artwork to life, and creating a sequence for the entire length of the new Ghost Stories album.
The piece has been made using a multitude of techniques, incorporating 3D, 2D cuts outs, classical hand drawn and time-lapse photography, all brought together with hours and hours of artworking and compositing.
Mila’s etching had to be meticulously traced by hand, basically pixel by pixel, in order that we could work at the scale necessary, 7K, which is nearly 4 times HD! The project pushed our computers to the limit, as well as all our animators, artworkers, directors and compositors. When the label first called about the project, we carried out some in-house tests so we would know exactly what we were letting ourselves in for, but when you want to make something really special, you always know you’re going to pull some late ones! Alasdair + Jock, fresh from creating Lily Allen’s lyric video for Air Balloon, worked tirelessly, as Jock headed up the team re-creating Mila’s artwork, and Alasdair took charge of pulling all 53,000 frames together. The piece contains around 50 separate loops from flying fish to a spinning gyroscope, and journeys through the album cover allowing audiences to get intimate with the artwork whilst listening to the album in its entirety for the first time.
Commissioned by Sam Seager at Parlophone, the project has to be up there in our top 5 favourites along with our projections for Madness at the Queens Diamond Jubilee, Rok’s lyric vid for The Rolling Stones, our visuals for Keith Urban at the Country Music Awards, and of course Elton John’s Million Dollar Piano visuals!
Trunk’s MD Richard Barnett headed up the project, whilst producer Pedro Lino line produced the animation.
We’ll tell you all more about it after the event, but for now, go and enjoy the album, and we hope you love the loops!
You can see more information about the album release here http://www.reuters.com/article/2014/05/12/idUSnMKWCrwhha+1e0+MKW20140512
Alasdair + Jock
We’ve got a really interesting and exciting project coming up next week for #storychangerseu. We are working with Ogilvy Brussels and the European Commission to get young people engaged with the European election possibly leading them to cast a vote. (It’s more interesting than it sounds) Our friends at Wouter and Thijs at Volstok have made a film with a cliff-hanger ending for the Storychangers.eu website, you can go to the site and suggest your own ending for the film, then it’ll be up to us to animate it. The challenge is for us to produce forty different endings to the film over four days for the 6th to the 9th of May. The Volstok boys in Ghent and Joost Lieuwma in Utrecht will also be making twenty endings each. The studio will be fitted out with web-cams for the week so you will also be able to log on and see your endings being animated “live”. Thankfully the live feed will not have sound so you will not be able to hear our agonised howls and Richard swearing like a docker. We will each have to produce just over three endings each per day, that works out as three hours per film from design to storyboard/animatic to animation to compositing, this is a very, very, very tight schedule. We made two endings each this past week trying to stick to the three hour per film schedule and it’s shown us just how tough this will be and it’s got our directors Layla, Rok and Alasdair+Jock quaking in their boots. It should be a very creative and tiring few days…… However…. we love a challenge! Bring it on Europe!